The franchise’s disciples will surely fill its collection plate as full as 2014’s $60-million-grossing original, but this paranoid persecution-complex fantasy is unlikely to win many converts.Ĭronk’s original installment presented Kevin Sorbo’s atheistic liberal-arts professor as the embodiment of satanic evil. Boasting a superficially new plot but preaching the exact same sermon – in the identical leaden, graceless manner – as its predecessor, Harold Cronk’s follow-up concocts a laughable crisis of faith whose resolution is a fait accompli, turning the endeavor into a torturous exercise in one-note proselytizing. The Almighty is still alive, albeit also under continuing attack, in “God’s Not Dead 2,” a sequel in which the issue of religion in schools leads to a courtroom showdown over God’s rightful place in society.
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